Sunday, July 14, 2024

Out & About With Mid-Month #RandomThoughts

 


I decided to begin this mid-month set of #RandomThoughts as I wanted to note a celebration about a film about the founder of Keep Children in School (KCIS) who has done so much to give the children of Iran hope.

As this is about to be premiered later in August in Los Angeles, I wanted to close out with some images courtesy of the great Sadegh Boughi as I finished supporting the Daily Outsider:


Sunday, June 23, 2024

Out & About With Brief Quarter-End #RandomThoughts

 It is the eve of the new quarter.     I assisted in commitments at the Daily Outsider to close the quarter out with a wish for brighter days as I wanted to close out the quarter with this uplifting and beautiful thought as I remain hopeful about our World: 

Article Image

Army Family

A World War II Veteran Just Married His Bride Near Normandy's D-Day Beaches. He's 100, She's 96

CARENTAN-LES-MARAIS, France (AP) — Together, the collective age of the bride and groom was nearly 200. But World War II veteran Harold Terens and his sweetheart Jeanne Swerlin proved that love is eternal as they tied the knot Saturday inland of the D-Day beaches in Normandy, France.

Their respective ages — he’s 100, she’s a youngster of just 96 — made their nuptials an almost double-century celebration.

Read More

Wednesday, May 29, 2024

On the Prowl With Some Month-End #RandomThoughts on Iran & On The Seed Of the Sacred Pig

As we bid farewell to May, my mind drifted away to Iran. I captured these thoughts as the Bahar Choir sang a tribute to Iran (Ey Iran) and as Mohammad Rassoulof, the Iranian Director, Won at Cannes for his Film the Seed of the Sacred Pig (that he made while on Home Confinment) and now he's out of Iran--having joined what he deemed "The Iran of Culture" vs. the Iran that is being driven to the stone age as it is held hostage by the Subhumans in charge as the war over power rages on.

 

Sunday, May 26, 2024

In the V-Campus With Month-End #RandomThoughts

 As June looms, I pulled together some month-end #RandomThoughts: 

 


Be Selective.
Choose to do a few things really well,
and let others do the rest.
 - Jonathan Lockwood Huie

Zen does not confuse spirituality with thinking about
God while one is peeling potatoes.
Zen spirituality is just to peel the potatoes.
- Alan Watts


Besides the noble art of getting things done,
there is the noble art of leaving things undone.
The wisdom of life consists in the elimination of non-essentials.
- Lin Yutang

Be - don't try to become.
Being is enlightenment, becoming is ignorance.
- Osho

The things of this world exist;
they are; you can't refuse them.
- Lao Tzu

Aspiration and Vision certainly have their time and place,
but mostly life consists of choosing to be joyful
while peeling the potatoes and taking out the trash.
- Jonathan Lockwood Huie

This Is The Best Career (Life) Advice I Ever Got


Any fool can learn by experience, the saying goes. It’s vastly preferable to learn from the experiences of others.

This is what mentors are for.

They’ve been where you’ve been.

They’ve done what you’ve done.

They’ve made mistakes that you don’t have to make.

This is what books do also. They allow you to benefit from the experiences of others–successful and not-so-successful, happy and deeply broken people alike.

My whole life I’ve sought out that kind of advice, explicit and deduced. I’ve benefited from being pointed in the right direction and warned when I was heading in the wrong direction. I’ve picked up lessons in the books that I’ve read–I’ve highlighted and printed out passages of advice that I’ve tried to live by.

I’ve tried to do this in all aspects of life, but in today’s article, I wanted to talk specifically about the best career advice I’ve gotten.

1. Credit is Worthless

One of my first real jobs was as an assistant for a powerful movie producer. He was one of those guys in LA who had a lot of influence but you could hardly find out anything about him–his IMDB page was scant, he was never in the press, and he didn't have some fancy title. I asked about this once and he told me that if ever offered the choice between credit and money, only an idiot takes the credit. He was talking specifically about the movie business which has a lot of inflated titles and credits on projects, which egotistical people gravitate towards as compensation. Why do you need to be recognized? he was telling me.

I took this in a couple of ways that shaped my career. First off, I understood quickly and early that my job as an assistant—and later in other positions—was to do work that others could take credit for. (This is a law in the 48 Laws of Power). My job was to be a source of ideas and problem-solving that I could surface to my boss so that they could surface to their boss or clients. This might seem thankless, but it’s actually a powerful place to be if you do it right. (Make others dependent on you is another law of power). I would later come to call this “the canvas strategy”, which I write about in Ego is the Enemy. You find canvases for them to paint on. You clear the path for them...and as a result, influence the direction they go.

At all my jobs, I focused on coming up with ideas for projects and on working on as many projects as possible. I wanted to learn. I wanted to see how things worked. I made sure no one saw me as a threat–on the contrary, that they saw me as someone who was a team player, who worked hard for others (and the business) to succeed. All the while, I was getting what really mattered to me.

Later, it was thinking this way that made me a successful ghostwriter. Most of my fans don’t even know that I have written many books for other people, re-written and edited others. In fact, my first couple of appearances on the New York Times bestseller lists were for projects like this. The reason people don’t know about this is that not only do I not talk about it, but I never put my name on them. When it came to collaborating, it was always a breeze because the books were not about me–I saw my job as helping them make their book, not that we were making our book. It also gave me a leg up in negotiations with the agents and publishers because I didn’t use my leverage to discuss where my name would appear or how big it might be, I asked for my percentage instead.

I don’t do many projects like this anymore, but the books I worked on helped set me up financially. I also learned so much. I have way more ‘reps’ than the average author and many of the painful lessons I have learned about publishing happened when I was not the person on stage.

I’m so glad I learned this early. Forget credit. If you want to get ahead, think about somebody other than yourself.

2. Seize The Alive Time

I’ve talked many times about how when I was stuck at American Apparel and dreaming about leaving to become a writer, Robert Greene gave me his amazing advice about “Alive Time vs Dead Time.” Dead Time is when you’re sitting around waiting for things to happen to you, and Alive Time is when you’re in control, making every second count, improving, learning, and growing. But perhaps the reason this advice landed so much is that shortly after I had that conversation over lunch with him, I had dinner in Downtown Los Angeles (I remember it was at Wurstkuche in the Arts District) with Ben Smith, an early Google and YouTube executive. He had just left Google to start his own company and I asked him what he wished he’d done differently in the time before he left. I wished I’d used my Google email address more, he said. Meaning, he wished he’d taken full advantage of the unique status/reputation of Google at that time. He wished he’d taken more meetings, reached out to more people, agreed to speak at more events and attended more conferences. He wished he’d built his network more when he was in a position of demand.

Having dropped out of college myself a few years earlier, I immediately knew what he’d meant. While I was a student, I had all these opportunities to go to office hours with important professors and participate in subsidized activities. People were eager to help me out. But the moment I left, I became just another face in the crowd. Worse, I was their competition. People like to help students out. Now? Now I was on my own.

So, taking Robert’s advice about Alive Time and Ben’s advice about using my business card, I spent a good chunk of my last year at American Apparel inviting everyone I could to come tour the factory. I jumped at every chance to travel for work. I took on extra projects. I sponsored events. I developed relationships inside the company and with people who wanted stuff from the company. It seems crazy, but I am still benefiting from that work today. (That’s how I’d met Ben in the first place).

If it wasn’t for this advice, I might have spent my last days at American Apparel thinking, This is just a job, this is just a crappy couple of months, I just have to wait it out and get through it. I could have chosen Dead Time unknowingly, wishing for better circumstances and ignoring the opportunities right in front of me. I would’ve been much worse off.

In life and in your career, you have to be the driver of your own advancement. When conditions aren’t ideal, you can’t just sit around waiting for things to happen. If you do that, they never will. There is always something you can learn, always some opportunity to take advantage of.

We have to choose to make every moment a moment of Alive Time. We have to decide to be present, to make the most of whatever is in front of us.

Open your eyes. Open your ears. Open your mind. Find the advantage.

3. Build Your Own Platform

I’ve been fired. I’ve had projects and ideas not work. I’ve never been canceled, but I’ve been seriously criticized. I get that these things keep people up at night…but they don’t need to. Because there is a way to insulate yourself from it: Build a platform.

When I was working as a research assistant to Robert Greene for The 50th Law, he had me read a bunch about Eleanor Roosevelt. I was struck by how she entered the White House as First Lady–it was with a magazine column that asked readers to write in to her. She didn’t want to become isolated by her husband’s success. She also didn’t want to be dependent on him. She built a massive audience as a writer and thinker and public figure–and this was an incredible form of power for her to have at that time.

In fact, the only person comparable really was Winston Churchill. Most people are unaware that Churchill made his living as a writer. He published more than ten million words in his lifetime across hundreds of publications and published works. Between 1931 and 1939–when he was stuck in the so-called political wilderness–Winston Churchill published 11 books, 400+ articles, and delivered more than 350 speeches. The result of this was an enormous worldwide platform that allowed Churchill not only to survive financially but wield influence that kept him relevant and guided policy and opinion across the globe. Under ordinary circumstances, a politician would have been powerless when pushed out of office or driven to the fringes by political enemies. But Churchill’s extensive platform—based on his editorial contacts, extraordinary gift with words, and relentless energy—saved his career…and as a result, the free world.

My first editor gave me similar advice. You don’t want to be dependent on PR and publicity to sell your books, she said. You need to have a direct connection to your audience. I’d already been doing that with my Reading List Email, but The Daily Stoic, which I launched in 2016, had meant that every day I talk to my readers–who now number more than one million. I talk to them on Facebook and Instagram and Twitter and TikTok and YouTube and on our podcast. If any one of these channels were to ban me or go under, that would suck, but I’d be fine. Another example, if Amazon or Barnes and Noble closed, I’d be fine. I own my own bookstore! My editor was telling me to be like Eleanor Roosevelt and Winston Churchill. To have power outside the system as an insurance policy.

We talk today about ‘cancel culture’, but this is mostly a problem for people who have things that can be taken from them, who rely on ‘permission’ and ‘greenlights’ to make their work. If you have developed an independent platform, you have an insurance policy. You have security. Not just against what other people might do to you, but also against changes in the trends or the marketplace.

Whether you’re an entrepreneur or an author or a filmmaker or journalist, it doesn’t matter. You should build a platform.

To do work without it is to be at the mercy of too much that’s outside of your control. To a creative person, to a free thinker, that is death. Having a megaphone that we own? That we can use when we need it? I’ll tell you having a platform–my reading list newsletter for instance–helped me in negotiations on the ghostwriting projects, for sure. Would my bookstore have succeeded if I was wholly dependent on walk-up traffic in the small town where it's located? I don’t think so!

At some point, you’re going to have something you need to communicate to the world, you’re going to need distribution…and when you need it, it will be too late to start building.

So don’t wait. Build your platform now.


It’s funny to me, in retrospect, to see how overlapping these three seemingly very different pieces of advice ended up shaping my career.

It’s not that everyone needs to be a public figure (obviously that would violate #1). But everyone has to have a network or a platform. You have to have direct access, with as few intermediaries, between you and your customers/clients/supporters as possible. A politician must be in direct contact with their base. A band has to be able to tell their fans where they’re going to be. A brand should know who its customers are and what their lives are like–not just bombard them with advertisements. An executive should have a network they can communicate with when they’re ready to change jobs or if they’re starting their own company.

That’s what Ben was trying to tell me as I was thinking about leaving American Apparel–build your platform on their dime, he was saying. Do the work now, while you have the time and space and status. That’s what Robert was saying–use this time. Don’t worry about credit or recognition, they were all reminding me, invest, invest, invest. Help, help, help. Produce, produce, produce. It comes back to you.

Those are three ideas I’ve built my career around and I’m very lucky to have gotten this advice.


Sunday, May 12, 2024

Out & About With Mid-Month #RandomThoughts On Iran

While on the prowl this week, I pulled together some visual #RandomThoughts on Iran while working away on projects and initiatives over the last number of weeks:






Sunday, April 28, 2024

On the Prowl With Brief M-End April 2024 #RandomThoughts: #FreeToomaj & A Tribute to Women

 



April is coming to a close--as the War against women in Iran rages on and on by the Thugs, thieves, and murderers who have held Iran hostage for over 40 years.   As I am finishing these thoughts and supporting the ongoing work of the Daily Outsider, I caught reports that 160 of the so-called Majlis (Parliament) deputies issued a statement heaping praise on the thugs (who are supposed to protect the public as Police Officers) for enforcing the so-called hijab (veil) rule.   Shame is something they have nothing of--I guess.   

This is as there is a continued Worldwide Movement to free the courageous Iranian Rapper, Toomaj, who has been sentenced to death.   As I finish these month-end brief #RandomThoughts, I bow in respect to the women of Iran (and appreciative of the Farhang Foundation for having sponsored a performance recently, which I released earlier to honor all women)  who have continued to endure this brutality as I know that Iran will rise, yet again, like the Phoenix as I join as a simple ordinary face to simply say:  


Onward & Upward!!!



While On the Prowl: A Tribute to Iranian Women Courtesy the Farhang Foundati9on

Honoring the Extraordinary Women of the World.


Experience the extraordinary world premiere video release of "EY ZAN - ای زن (Hey Woman)", an awe-inspiring tribute to the strength and grace of women around the globe. This breathtaking collaboration features the captivating voices of Maliheh Moradi and Mina Deris, who lend their remarkable talent to this powerful ode to womanhood. 


Directed by Sargol Eslamian

Composed by Ehsan Matoori

Lyrics by Hossein Monzavi

Arrangement by Ehsan Matoori & Ali Montazeri


Cello: Aidin Ahmadinejad

Violin, Viola: Niloofar Sohi

Bass: Daniele De Cario

Guitar: Hamed Poursaee

About Maliheh Moradi

Trained by three of the most eminent Iranian vocalists, Mohammad-Reza Shajarian, Parisa, and Ali Asghar Shahzeidi, Maliheh Moradi has attracted attention as a rising star in Iranian classical music. Born to a musical family in 1984, Maliheh began playing tonbak at seven and started singing lessons with her father. She attended the Tehran Conservatory of Music, where she also learned setar.

She has a Bachelor of Arts degree in Persian literature. Maliheh has received training in both vocal and instrumental music from renowned Iranian musicians, including Siamak Jahangiri, Hossein Alizadeh, Mozafar Shafiei, Hasan Pazouki, Mohammad Firouzi, Mohammad-Reza Ebrahimi, and Masoud Shoari.

Maliheh has sung in the Mowlavi Opera (along with Homayoun Shajarian), Singing in Shadow (accompanied by Siamak Jahangiri), and Atash Sabz (film score composed by Mohammad-Reza Darvishi). She has performed at international music festivals in Australia, Spain, Germany, and Poland.

Recently, Maliheh embarked on a new chapter in the United States to further her musical journey and is a prominent vocalist in the Voices Unveiled music project.

Her new album 'Our Sorrow,' composed by Ehsan Matoori, was published by ARC Nexus World on April 14, 2024.

About Mina Deris

Born in 1981 amidst the Iran-Iraq war, Mina embarked on a lifelong musical journey that would shape her identity and touch the hearts of many. From an early age, Mina's exceptional singing talent captivated those around her, earning her recognition as the best singer among her peers.

At 15, Mina felt a magnetic pull toward the enchanting world of Arab music inspired by the legendary Umm Kulthum. Growing up in Abadan, Iran, her Arab heritage and mother tongue naturally drew her to the mesmerizing melodies of Arabic classical music, known as maqam. After university, Mina dedicated herself to studying Iranian classical music under the guidance of Master Hengameh Akhavan and Master Farhang Sharif.

As her reputation grew, Mina became a sought-after vocalist, collaborating with various Iranian pop, folk, and fusion bands. In 2014, she proudly graduated from the esteemed Music Conservatory of Tehran, a testament to her years of dedication and hard work.

Driven by curiosity and a desire to bridge musical traditions, Mina delved into the exploration of ancient Arab melodies from the southern regions. Her unique approach involved blending these timeless melodies with modern electronic styles, creating a captivating fusion that resonated strongly with the younger generation.

Mina's talent took her to stages worldwide, captivating audiences in Iran, Qatar, Turkey, Italy, Germany, France, and Iraq. In 2017, she expanded her creative horizons by venturing into acting, taking on the role of an actress and singer in a powerful play about homeless women.

Since 2016, Mina has served as the lead singer of the renowned Novak Ensemble, releasing single tracks and albums like "Agitation" and "Bidel," which showcased her artistic vision and musical depth.

With the winds of change blowing in her homeland, Mina made the difficult decision to seek a new chapter in the United States. At Boston University, she delivered a powerful concert recounting the story of four decades of oppression and pressure.

Today, Mina is honored to be part of the Unveiled Voices band alongside composer Ehsan Matoori and singer Maliheh Moradi. Together, they continue to enchant audiences with heartfelt music, transcending cultural boundaries and connecting souls through the power of melody.


About Ehsan Matoori

Ehsan Matoori is an Iranian Santoor player, Composer and Music Producer.

Born in 1979 in Iran, Ehsan Matoori began learning Santoor (Iranian-dulcimer) based on Maestro Faramarz Payvar’s method at age 9.

He studied instrumental and vocal Radif (Iranian musical repertory) with Parviz Meshkatian and Pashang Kamkar, and later started teaching Santoor.

Ehsan took lessons from Ardavan Kamkar, one of the greatest contemporary Santoor players of Iran, known for his distinct playing style and tuning techniques. In addition to playing Santoor, Ehsan has studied music composition and harmony with Farhad Fakhroaldini and children’s music with Soudabeh Salem.

After moving to the United States in 2013, Ehsan performed with world music masters such as Sandeep Das (tabla), Jamal Mohamed (percussionist), Paul Sriji (mridangam), Maeve Gilchrist (jazz harp), Matthew Coley (marimba), Mike Block (cello), Bassam Saba (oud), Sybarite5 (string quintet) and Greg Ellis (percussionist). He has also been a member of SMU world music ensemble since 2013 and a member of the Silk Road Global Musicians Workshop as a faculty assistant and performer since 2016.

His first album “Phantasm” in collaboration with Mohsen Namjoo was published in 2019 and streamed more than 4,000,000 times and downloaded on all digital platforms. His love of learning about cultures and feeling their melodies, has inspired his musical compositions which represent these cultures and bring new words to the world. Exploring diverse musical and poetic traditions around the world, Matoori has recently been working on a multilingual project called “The Voices and Bridges” which was announced by the BBC world, BBC Persian and the Silk Road Project in July 2019 and July 2020.

Ehsan believes that his music “should bring happiness to people and bring people together.”


 

Sunday, April 21, 2024

Out & About With #RandomThoughts On Iran

Despite all the challenges (and I just saw a report about how violators will have their rights taken away), I see this, and I know the spirit of Iran will never ever die: